![]() Tormé got together with the director and Travis Walton and devised a sequence that would be seen in the movie at least attempting to maintain the essence of the encounter by mirroring the real occurrence, although it seems that Travis himself was not involved in the discussions about the alterations to the scenario, and when he came to see the alteration to the alien scene, it came as quite a shock to him He had no other optionīut to go back to square one and re-write the abduction sequence, but perhaps it was an interesting idea. Was shell-shocked and so found himself and the director having to convince Paramount a second time to make the movie. They were serious and firm about the matter. The studios were going to need the alien sequence changed for their 20 million dollars or they would pull the plug on the production. This sort of thing had also been seen in such things as Communion, the Bett y and Barney Hill a bduction case, on Ni kon commer cials and beer commercials. Going to kill the project if I didn’t come up with something else. Over a table doing experiments on someone, therefore it’d ‘ been doneīefore,’ therefore he had no interest in doing the Walton movie and was Oh my god, they've been shown before, they've been on this movie Intruders and we're sunk, we can't do the movie"Īnd worried because he’d seen little gray men with big eyes standing Have seen the second airing of Intruders on TV the night before which Tracy Tormé had also scripted, and was saying " Oh my god, the same kind of aliens that are in Fire Studios, it was a studio executive who just happened to One day while in preproduction for Fire in the Sky, Tormé received a phone call in his office at Paramount ![]()
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